Wildetecture started as a whispered idea in 2009 and grew into a full blown inferno conversation until now.
Now its an architectural studio that hand picks projects based on no real criteria. From houses in informal settlements to homes amongst those who dont mind the wild. Weve done alterations, libraries, aquatic centers, schools, restuarants and even redesigned sports equipment.
The age old adage of lets see your portfolio of creative work, as it will speak volumes about your abilities, is what weve endeavored to leave behind as skeletal evidence of creative thought. The flesh as always is the current , right this second " creative thought process", the current conversations. The wild energy behind simply trying to design idea think outloud. The flesh is the conversation lost as always to the Four winds and in air. Like fossil dinasuar bones that current scientists pontificately (yip i wrote that word that doesnt exist - bite me) imagine the flesh around. Who really knows what was in that exact moment, only a stone remnant remains for us to now imagine a creature around.
Here is a few wildetecture style Africa fauvistic design sketches. We are working towards another art exhibition of our work. Weve had a few exhibitions over the years. An almost embarrassed foray into the harsh world of artistic critical expression. The work being boldly exhibited in raw undiluted form, it wasnt about the individual artist. So we would set up our work and mill around incognito as the informed masses came in and ripped and tore shreds off the pieces through the critical artistic eye process. We hoped people would understand the wild artistic energy. However it doesnt really work like that. People want an exact written, spoken tour artistic synopsis aligned with every artistic piece and the exact concept design ideas. Nobody has the time or energy to work out your rubbish, as an artist one thinks it lazyness, however its people are just so busy trying to live their own life. Trying to figure out your artistic interpretations is much work and weve moved on from other peoples perspectives. The artistic mystery distilled into a paperback moment of immediate tell me everything about your artistic perspective interpretation. I prefer the artistic incognito, the slow growth of a portfolio. Hiding in the midst of your own art exhibition. Listening to the this is crap frank brutal interpretations. Listening to the well informed art critic afficionado is rather enlightening if its not a brutal whip to your soul.
If our future art exhibition happens great, if not, it's an exciting imaginative synapse for an artist to continue conceptualizing. Remember, design is as design does. Creativity is linked to a portfolio of wild evidence, So you know what to do, go and artistically create a portfolio of wild work.
The approach of concentrating on the left behind artistic creative work is better than trying to figure out the artist for me. The work is the conversation departure point.
Me, im just an incognito artistic operator. Hifing in plane dite at our own art exhibition. Nobody kno2s what you look like. They just see a portly mediocre person. So foung some behind the scene watching, you experience the artistic sensitive flesh rip and fly. As its ripped completely asunder. Ripped to pieces by minds far to astute to dare puttheir own artistic thoughts and talent infront of an audience. That would render the bilest (yip intentional, not vilest) of criticts far to vilenerable oops vulnerable. Best to keep artistic perspectives well and truelly hidden. Dont want to start a maelstrom of personal artistic thought cacophony. Art exhibitions are for the talented, the exhibitionist, the egotist and the brave.
